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The
Last Temptation of Christ (1988)
Director:
Martin
Scorsese |
COUNTRY
USA |
GENRE
Drama/Religious |
NORWEGIAN
TITLE
Jesu
siste fristelse |
RUNNING
TIME
164
minutes |
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Producer:
Barbara De Fina |
Screenwriter (based on the novel by Nikos Kazantzakis):
Paul Schrader |
Review
Seen in light of the
position of Jesus in modern religion and culture in the western world,
the attraction of Martin Scorsese's adaptation of Nikos Kazantzakis'
novel lies in the controversy and psychological interpretation of Jesus
from Nazareth and his vocation; how could this man be both a deity and a
human being? Willem Dafoe gives a wholehearted effort of embodying the
legendary figure. Not surprisingly, it is not something the talented
young character actor is quite able to overcome satisfactorily. Like much of
Scorsese's film, his performance is theatrical and rooted in a tradition
of stylistic biblical representations in which the human aspect of the
characterization is absent or greatly undermined.
Paradoxically, this is exactly what Scorsese
wants to accomplish with The Last Temptation of Christ - to
reveal and explore Jesus' inner struggles as a human being. To the
degree that this is accomplished, it is in a very fixed frame with a very
conditional scaffolding – the Jesus character remains a figure to
understand, not to sympathize with. Despite fine observations and
well-presented scenarios in which religion, history and psychology clash in
an interesting crucible, The Last Temptation of Christ is a
vague, tiresome and overly allegorical depiction of one of the planet's
best known stories. And the alleged controversial end scenario, from
which the film derives its title, is only so for the most fanatical
Christians. Peter Gabriel did the musical score, which consists of delicate rhythms and contemporary synthetic sounds.
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