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Moneyball
(2011)
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Director:
Bennett Miller |
COUNTRY
USA |
GENRE
Sports/Drama |
NORWEGIAN TITLE
Moneyball |
RUNNING
TIME
133
minutes |
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Producer:
Michael De Luca
Rachael Horovitz
Brad Pitt |
Screenwriter (based on the book by Michael Lewis):
Steven Zaillian
Aaron Sorkin |
Review
After being defeated by the New York Yankees in the 2001 play-offs,
losing three of his key players to bigger contracts at richer clubs, and
then being refused more funds for new players by the club's owner,
Oakland Athletics general manager Billy Beane (played by Brad Pitt)
hires an inexperienced Yale economics graduate (Jonah Hill) and starts
utilizing hard statistics (now known as sabermetrics) to recruit
specialized talent who are seemingly over the hill or has another defect
which have made them unattractive to other clubs. Will this novel and
– to many
– controversial
approach pay off?
In
form and structure, Moneyball is a familiar underdog story which
have been known to work ever so well many times before on the
big-screen. However, this is no
Rocky with lots of action and
simple, emotional dialogue. And it's no
Youngblood
style of film in which the game itself is simplified to attract
"regular" viewers. On the contrary, Moneyball is something as
rare as a sports film about numbers and tactics. It's not only based on
real-life people and events, but it also treats and presents these
people and events accordingly, and not through a conventionalized
archetype-filter. A film as technical and theory-oriented as this one may
sound inaccessible to outsiders, but as a typical European soccer-fan
with minimal knowledge about the game of baseball, I say on the
contrary. This is a breath of fresh air in a world of movie-making which
often underestimates its viewers. Moneyball is a detailed and
fairly fast-paced account from an environment about which the filmmakers
are never afraid to be specific and comprehensive. And this works as a
perfect counterweight to the heart and moral of the story, which is
undeniably simplistic, but also inherently beautiful.
Brad Pitt gives arguably the best performance of his career as real-life
GM Billy Beane. His performance has a drive and a carefreeness which I
haven't seen in Pitt for years, and combined with appropriate mannerisms
and a clearly deep understanding of the character, he gives the film the
momentum it needs. Jonah Hill and Philip Seymour Hoffman complement him
with fine supporting work in a film which puts Aaron Sorkin's edgy
dialogue to the best use that it has been since
A Few Good Men.
And the fine directing job is credited to Bennett Miller (of
Capote)
and he conveys the script, which Sorkin co-wrote with Steve Zaillian,
with a clear focus about what he wants to accomplish, handling the
sentimental and the bittersweet with equal aptitude.
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