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Motherless Brooklyn (2019)
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Director:
Edward Norton |
COUNTRY
USA |
GENRE
Neo-noir/Crime |
NORWEGIAN TITLE
Motherless Brooklyn |
RUNNING
TIME
144 minutes |
RELEASED BY
Warner Bros. |
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Producer:
Edward Norton
Bill Migliore
Gigi Pritzker
Rachel Shane
Michael Bederman |
Screenwriter (based on the novel by Jonathan Lethem):
Edward Norton |
Review
In what is only his second outing as
director (after Keeping
the Faith),
and first time as writer, Edward Norton demonstrates that he can
handle the added responsibility – and give a sensitive performance
in front of the camera to boot. Motherless Brooklyn is based
on Jonathan Lethem's award-winning novel of the same name about
private detectives and corrupt city-planners in New York City, but
in Norton's vision the story has been moved to the 1950s and draped
in genre-recognizable noir elements. It's a risky strategy, because
films in this sub-genre have a tendency to end up as a cliché-fest.
Fortunately for Motherless Brooklyn, the filmmakers'
craftsmanship overshadows the stereotyping, and the little touches of
novelty work wonders for the overall effect. Norton's remarkable,
unusual performance is one of them. This is the first time I've seen
Tourette syndrome given a believable face in movies. And Norton the
actor is accompanied by clever choices also by Norton the producer:
Daniel Pemberton's beautiful jazzy score, Dick Pope's atmospheric
cinematography, Michael Ahern and Beth Mickle's wonderful art
direction, and director Norton's elegant pacing. The star-studded
cast add some additional zest, but this is all Norton's show.
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