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Reign
Over Me (2007)
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Director:
Mike Binder |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN
TITLE
Reign
Over Me |
RUNNING
TIME
124
minutes |
|
Producer:
Jack Binder
Michael Rotenberg |
Screenwriter:
Mike Binder |
Review
Mike Binder's Reign
Over Me discusses big issues with a big head. It is a desperately
serious film, with a desperately serious performance from Adam Sandler
in the lead. Still, there is a lot of quality in here, and Binder makes
us ponder and feel, even if he makes us do it a little bit too
consciously. Sandler, plays a man who lost his wife and children in
9/11. He is tormented and withdrawn, seemingly in complete denial, and
passes his days playing videogames and eating Chinese food. When he
meets his former college roommate Alan (Cheadle), he is slowly forced to
participate in and contemplate life outside the confines of his
self-restricted life.
9/11 has had a variety
of effects. For Hollywood it has become an inspiration - or a pretext.
In Reign Over Me it feels more like the latter, even if it is a
completely valid one. The Charlie character has potency, but is a bit
hampered by Sandler's performance. His work is wholehearted and forceful, but
somewhat ill-focused. Sandler's rendition of a mourning, mentally ill
man has a little bit too much in common with Dustin Hoffman's Raymond
Babbit. It makes you wonder what the deal was with Charlie prior to the
incident. Don Cheadle gives solid support, feeling completely like a
supporting character. His domestic situation will be very recognizable. There is a fantastic scene quite early on in Alan's doorway in
which Charlie invites Alan to go out for a beer with the wife standing
by. This scene sums up the couple's situation without a word.
The best assets in
Reign Over Me are the humour and upbeat tone in some crucial scenes, especially those Charlie and Alan share together,
as well as Binder's
effective use of his carefully selected soundtrack. Music has a pivotal
position in Charlie's reality, and I believe more than a few of us can
relate to that. Binder shows he has talent, and his film is full of
heart and insight, but unfortunately, it is also a self-conscious and
constructed film. The courtroom sequence towards the end doesn't feel
authentic for a normal European, and Donald Sutherland realizes exactly
that. He is the voice of reason in a party of people who should just
have been told to get over themselves.
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