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Reservation Road (2007)
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Director:
Terry George |
COUNTRY
USA/Germany |
GENRE
Drama |
NORWEGIAN TITLE
Reservation Road |
RUNNING
TIME
102 minutes |
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Producer:
Dean Leavitt
Gina Resnick
Nick Wechsler
A. Kitman Ho |
Screenwriter
(based on the novel by J. B. Schwartz):
Terry George
John Burnham Schwartz |
Review
Reservation Road is a human
drama so powerful, resonant and well-acted that its strengths
completely overshadow the somewhat conspicuous and at times
overwritten storyline. Based on a best-selling novel by American
novelist John Burnham Schwartz, Reservation Road revolves
around a hit-and-run in which a weekend-dad (Ruffalo), who is
rushing to return his son on time after visitation, hits and kills a
young boy. While dealing with the sorrow of losing their son, the
bereaved father and mother (Phoenix and Connelly) drift apart, as
the former becomes more and more vindictive after convincing himself
that the police are neglecting the case. At the same time, the
perpetrator struggles with his misdeed and considers turning himself
in. But before he does, he realizes that his life is more
intertwined with the lives of the bereaved than any of them were
aware of.
Terry George's fine direction, a
seamless presentation of a wriggling, tone-shifting narrative with
enough potential pitfalls to make the entire film counterproductive,
is one of the key reasons why Reservation Road stands as one
of the best films of 2007. The explosive acting is another, with all
three lead actors giving close to career-best work. Ruffalo making
his character highly human and identifiable without demonizing or
resorting to self-pity as his basic motivation. And Phoenix and
Connelly work their entire emotional register in two immaculate
performances, where they tear themselves and each other to pieces
before ultimately standing naked against each other and the world -
with no defences left.
Compared to many other films
dealing with grief and revenge, Revolutionary Road has a
constant and higher level of tension and ambivalence to it.
Unfortunately, the film was anything but successful when it was
given a very limited release in 2007, and many critics panned it,
among other things for being too constructed and for promoting
vigilante justice. Incidentally, many of the aspects these reviewers
criticized are also what makes the film so layered and gives it such
a timeless, universal appeal. The film doesn't only explore some of
the most extreme human emotions, but also views them in a complex
social and interpersonal context. And although the film indeed
discusses vigilante behaviour, if anything, it opposes it. All the
lead characters in Revolutionary Road deal with guilt and
grief. And the film claims that although society and the law is
clear on the former and has no place for the latter, both must
really be settled in the heart and mind of each person affected by
it.
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