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Smart People (2008)
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Director:
Noam Murro |
COUNTRY
USA |
GENRE
Drama/Comedy |
NORWEGIAN
TITLE
Smart
People |
RUNNING
TIME
95
minutes |
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Producer:
Michael Costigan
Bridget Johnson
Michael London
Bruna Papandrea |
Screenwriter:
Mark Poirier |
Review
Here is another entry
in the "quirky-and-misanthropic-intellectuals-learn-to-live-their-lives"
sub-genre which has become so in-vogue during the last few years.
Films like
Running With Scissors,
The
Squid and the Whale,
Margot
at the Wedding and
The Savages, to name a few, have
found themselves venturing into this realm with varying degrees of success.
These films owe quite a bit to John Irving in terms of
characters and writing, and to the likes of Todd Solondz when it comes
to film style.
And would you believe
it: Also in Smart People, our struggling writer protagonist
finally gets his book published in the end. This shouldn't be considered
a spoiler, seeing as this development has become almost as mandatory in
this sub-genre as a shoot-out in a western or a chase scene in an action
movie. What I am trying to say is that Smart People, as per genre
definitions, is a narrow and, from the writer's point-of-view, rather
short-sighted film. The fundamental premise of the film is to use its
characters to hopefully provide us some insight about ourselves, but
expectedly, the observations and universal truths offered are rather
slight and obvious.
Now, it seems I am
overwhelmingly negative to this film, and that isn't at all the truth.
Despite its sense of unnecessity, Smart People is told engagingly
and offers interesting if somewhat restrained characterisations. There
are truly funny moments as well, with Ellen Page and Thomas Haden Church
having fun in thematic continuations of characters they have done with
bravura in recent years (Juno
and Sideways,
respectively). The Page/Church relationship has got a lot of potential
to it, even if the character's emotions are cushioned somewhat too soon,
and Dennis Quaid gives a fine performance in portraying the disenchanted
and increasingly pessimistic worldview of someone who has not
experienced love in a long time and has become bitter about it. The
relationship between Parker and Quaid isn't the most convincing you'll
see, but the effect it has on the Quaid character is still affecting and
well-told.
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