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Sommersby (1993)
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Director:
Jon Amiel |
COUNTRY
USA |
Genre
Romance/Drama |
NORWEGIAN TITLE
Sommersby |
RUNNING
TIME
113
minutes |
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Producer:
Arnon Milchan
Steven Reuther |
Screenwriter (based on Le Retour de Martin Guerre):
Nicholas Meyer
Sarah Kernochan |
Review
There's a clever idea serving
as the basis for this film: A farmer returns to his village after
fighting in the American Civil War and subsequently being imprisoned for
desertion, and turns out to be a much better and compassionate husband
and townsman than he was before he left. What has made him change? The
period elements are well done initially, and the story is told with an
agreeable rhythm by director Jon Amiel (later of
Copycat
and Entrapment).
With a big budget and stars Richard Gere and Jodie Foster trying their
hand at the 1800s for the first time, there's a lot at stake for
Sommersby. And it ultimately shows, because the picture plays it
safer and safer as we get closer and closer to the denouement of the
mystery. There's a drawn out segment from a courtroom which feels more
like the 1993 version of Richard Gere explaining the plot of a period
picture than the charged climax it should have been. Gere and Foster are
fine in the interpersonal segments and the everyday life in the village,
but they cannot help coming off as anachronistic during said trial. It's
partly Amiel's fault, of course – he strips away the story's edge and
pain and replaces it with a docile romance aesthetic. Based on the 1982
French film Le Retour de Martin Guerre, which in turn was based
on real events from the 16th century.
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