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St. Elmo's Fire (1985)
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Director:
Joel
Schumacher |
COUNTRY
USA |
Genre
Drama |
NORWEGIAN
TITLE
St.
Elmo's Fire |
RUNNING
TIME
108
minutes |
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Producer:
Lauren
Shuler |
Screenwriters:
Joel
Schumacher
Carl Kulander |
Review
Joel Schumacher's take on life
as a young adult in the 1980s may have looked glitzy back in 1985, but
in retrospect, the ostentatiousness that infused these characters and
their misguided attempts at suddenly being grown-ups captures the
essence of 1980s middle-class culture quite well. Their hang-up on
superficiality and individualism makes most of these characters rather
despicable, unlikable people, but – as the film ultimately points out –
they're merely immature kids thrown into a world they've not been
equipped to handle. And once Schumacher has stripped off their seemingly
tough shells, we get a glimpse of the susceptible, potentially good
human beings underneath. The irony, of course, is that the same analysis
would be valid for most of the so-called Brat Pack actors populating
this critically panned box-office success. Schumacher's fast-paced,
quippy style is enjoyable, partly because he never gives you enough time
to really dislike the film's characters for all their selfish antics.
Instead, he keeps the film moving – and is always prepared to give them
another chance. The at first glance caricatured differences between our
seven protagonists are alleviated by the complexity they turn out to
have. That doesn't necessarily mean they're deep (this is the 80s, after
all), but each of them are a compound of good and bad qualities. And it's
refreshing to see with 2021 eyes that Schumacher doesn't rank their screw-ups from a moralizing point of view
and pass judgement on them – he just lets
their failures come and go; lets them dissolve naturally. Yes, it's a
flawed film, but it never claims not to be. With a brilliant,
trendsetting soundtrack from David Foster and engaging performances from
the cast.
Re-reviewed:
Copyright © 26.04.2021 Fredrik Gunerius Fevang
Original review:
Copyright © 14.5.1997
Fredrik Gunerius Fevang |
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