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Wind River (2017)
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Director:
Taylor Sheridan |
COUNTRY
USA |
GENRE
Drama/Western/Crime |
NORWEGIAN TITLE
Wind River |
RUNNING
TIME
111 minutes |
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Producer:
Matthew George
Basil Iwanyk
Peter Berg
Wayne L. Rogers |
Screenwriter:
Taylor Sheridan |
Review
In
the third film of Taylor Sheridan's so-called American Frontier
trilogy, incidentally the first of them he also directed as well as
wrote, it's not the writing which stands out, but rather the
direction. As with the brilliant
Hell
or High Water from last year, Wind River is a
film about forgotten communities in remote parts of the United
States. The story deals with a suspicious disappearance and death in
Wind River Indian Reservation, a region where the film tells us that
disappearances of girls in particular are frequent and don't
necessarily get investigated. These are harsh lands and conditions
to live in, and the desolate apathy of these characters are thrown
at us from the outset, as Sheridan wants us to feel the constant
cold and hardships of the place. The story is interesting as a
classically structured whodunnit. What really stands out with
Wind River, however, is Sheridan's skill in setting up scenes
and making every one of them almost boil over with suspense. In this
respect the film is reminiscent of Jeff Nichols' work (Shotgun
Stories,
Take Shelter), another young
filmmaker with his heart and soul in rural USA.
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