






|
 |
Mulholland Falls (1996)
    
|
Director:
Lee
Tamahori |
COUNTRY
USA |
Genre
Crime |
NORWEGIAN
TITLE
Bevisets makt |
RUNNING
TIME
103
minutes |
|
Producer:
Richard
D. Zanuck
Lili Fini Zanuck |
Screenwriter:
Pete Dexter |
Review
This neo-noir directed by Lee
Tamahori (Once Were Warriors)
is built like an old-fashioned gangster movie and wants to be a stylish,
sophisticated and intriguing time-travel to 1950s Los Angeles. And
stylistically it largely succeeds thanks to fine cinematography by
Haskell Wexler and a fine ensemble of good-looking actors, with Andrew
McCarthy's performance one of the positive surprises, whereas Melanie
Griffith seems out of depth as Katherine. Unfortunately for Tamahori,
the script is not good enough to deliver what the film's lush style
promises. It's unengaging, uninventive and uninspired.
Copyright © 16.7.1997
Fredrik Gunerius Fevang
(English version: © 16.10.2020 Fredrik Gunerius Fevang) |
|
|
|