Burn After Reading (2008)

	Directed by: Ethan Coen Joel Coen	COUNTRY USA/UK/France GENRE Crime/Comedy NORWEGIAN TITLE Burn After Reading RUNNING TIME 96 minutes
	Produced by: Tim Bevan Ethan Coen Joel Coen Eric Fellner
	Written by: Ethan Coen Joel Coen

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
Harry Pfarrer	George Clooney
Linda Litzke	Frances McDormand
Osbourne Cox	John Malkovich	½
Katie Cox	Tilda Swinton	½
Chad Feldheimer	Brad Pitt
Ted Treffon	Richard Jenkins
Sandy Pfarrer	Elizabeth Marvel
CIA Officer	David Rasche
CIA Superior	J. K. Simmons
Krapotkin	Olek Krupa

Review

The Coen Brothers' follow-up to their 2007 masterpiece No Country For Old Men is a refreshingly light, carefree, and overwhelmingly funny comedy. This time, they are poking fun at just about every social level, from goofy senior intelligence men and misanthropic intellectuals to paranoid, unfaithful middle-classers and plain gym workers who dream about success and status (and the even plainer gym workers who are just excited to be alive). The Coens suggest that no matter how important you are, or would like to think you are, chances are that you are stumbling in the dark just as much as the next person regarding what you actually want in life. Burn After Reading is delightfully free of affiliation and mission, but still clever enough to know how and when to deliver elegantly portioned satire. It is a film conducted with tons of confidence and a complete command of the art form. The editing (done under pseudonym by the Coens) is particularly brilliant and shows the brothers' impeccable ability as craftsmen.

Burn After Reading is first and foremost a comedy fest, made up of spirited, blithe writing and an ensemble of great acting talent getting the best out of each other. Admittedly, most of the performances here are over the top, but aptly so. Coen companions George Clooney and Frances McDormand are feisty in the leads, while Brad Pitt is hilarious as the childlike gym trainer Chad. The most powerful performances, however, belong to John Malkovich and Richard Jenkins. It is through these two characters Burn After Reading manages to mix the sweet with the bitter and hit deeply tragic human notes amidst the comedy. Malkovich is explosive in a perfect role for him. He is probably more John Malkovich here than he was in Being John Malkovich; his outbursts in many ways resemble views and quotes the Chicago actor has given in interviews.

Burn After Reading ends on a similar note as No Country For Old Men – despite the two films' obvious dissimilarities. What our baffled narrators (Jones/Harper in No Country, Rasche/Simmons here) seem to agree upon is that they aren't really able to alter our flawed human nature. All they can do is gloss over it with words and some swift procedures. And in Rasche and Simmons' case, a fair share of humour and self-irony.