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Heaven's
Gate (1980)
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Directed
by:
Michael Cimino |
COUNTRY
USA |
GENRE
Epic western |
NORWEGIAN TITLE
Himmelporten |
RUNNING
TIME
219 minutes |
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Produced
by:
Joann Carelli |
Written by:
Michael Cimino |
Review
Dubbed by author and film critic Bret
Easton Ellis as the movie that marked the end of the New Hollywood
era, Heaven's Gate stands as a testament to said era's
overindulgence and overambition. Michael Cimino was fresh off from
creating his magnum opus
The Deer Hunter, a film which
won him almost every award imaginable and made him one of the
hottest names in Hollywood. And the extravagant filmmaker went
all-out with his follow-up, seemingly trying to do everything at
once. The setting is 1890s Wyoming, where a melting pot of poor
European immigrants run into conflict with wealthy cattle barons and
landowners. But before we get there, Cimino takes us through a posh
Harvard graduation, where our main protagonist Averill (Kris
Kristofferson) and his pal Irvine (John Hurt) were educated as young,
idealistic men. The foreshadowing is obvious, but Cimino is in no
hurry getting his story flowing. He is more concerned with the
framework for his big epic, setting up set decorations and locations
which were among the most lavish at this time. Every
image and composition is meant to look momentous – and to a certain
degree they do – even if Cimino's soft focus gives many of the scenes
a whiff of soft core porn. Nevertheless, there are segments of
wonder and grandeur in Heaven's Gate; segments which almost
are able to infuse you with the mood Cimino arguably had intended.
The problem is just that the story remains anemic from start to
finish and never really gels. There are bits and pieces of
interesting elements, but the film has severe problems with
editing and progression and never becomes engaging as a whole. It
very much deserves the reputation is has as a monumental failure.
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