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Traffic (2000)
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Directed
by:
Steven
Soderbergh |
COUNTRY
USA |
GENRE
Crime/Drama |
NORWEGIAN TITLE
Traffic |
RUNNING
TIME
147 minutes |
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Produced
by:
Edward Zwick
Marshall Herskovitz
Laura Bickford |
Written by
(based on the miniseries "Traffik" by Simon Moore):
Stephen Gaghan |
Review
Stephen Gaghan won a whole host of
awards for his expertly interwoven script about drug use and
trafficking, adapted from Simon Moore's acclaimed BBC miniseries
which aired in 1989. And with the addition of Steven Soderbergh's
grainy cinematography and strong emphasis on characters over
compositions, Traffic became a vanguard for the current age
of Prestige TV. If at first you may be detracted by the director's
unattractive colour palette and bumpy handheld camera, the power of
the material soon takes centre-stage and you may find yourself
agreeing with Soderbergh that his stylistics do in fact give the
story an added urgency and intimacy. Nevertheless, it is the clever
and all-encompassing story which makes Traffic an engrossing
watch. Centering on a dozen principal characters whose stories are
more or less woven together, the movie covers most every aspect of
the drug world. And the fine cast of characters revel in these
fruitful circumstances, some of whom give close to career-best performances,
including Benicio Del Toro as a Mexican police officer, Michael
Douglas in a fine role with an arguably personal aspect,
young Erika Christensen as his rebellious, addicted daughter, and
last but not least Clifton Collins Jr. as a sicario in a pickle. The
movie is crowned by trendsetting and highly evocative use of ambient
music by Cliff Martinez.
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